50 Ml

SKU: NAP-820-3422

Out Of Stock

PRICE: US$ 56.59
FIND SIMILAR PRODUCTS

Lead-Tin Yellow Dark (Type II) is an opaque ocherous yellow, fine-grained with medium tinting strength. Our lead-tin yellow is made according to historical recipes. Although lead-tin yellow frequently occurs in European painting before the eighteenth century, it is not mentioned in older literature on painting techniques. It has been identified in Rembrandt’s work, such as Belshazzar’s Feast (1636/1638). It is called massicot in northern European manuscripts, but identified as giallolino or giallorino in Italian manuscripts, as noted by Merrifield. Lead-tin yellow has not been rated for lightfastness by the ASTM, but independent studies have shown that it is permanent in most vehicles and can be used with all other pigments without alteration.

Composition and Permanence
Lead-Tin Yellow Dark
Color: Lead-Tin Yellow Dark
Binder: Linseed oil
Additive(s): None
Pigment Information
Pigment: Lead-Tin Yellow Dark (Type II)
Pigment Classification: Synthetic inorganic
Colour Index: Not Listed
Chemical Name: Lead-tin oxide silicate
Chemical Formula: Pb(Sn,Si)O4
CAS No. 12036-31-6
Properties
Code: 309
Series: 7
Opacity: Semi-Opaque
Tinting Strength: Medium
Drying Rate: Medium
ASTM Lightfastness: Not Listed
Permanence: A - Permanent
Safety Information: DANGER! CONTAINS LEAD. HARMFUL IF SWALLOWED. Avoid ingestion and skin contact. Wear protective clothing and gloves to prevent skin contact. Never use near children or pets. Conforms to ASTM D 4236.

DANGER
CONTAINS LEAD / CONTIENT DU PLOMB
DO NOT APPLY TO SURFACES ACCESSIBLE TO CHILDREN OR PREGNANT WOMEN.
NE PAS APPLIQUER SUR UNE SURFACE ACCESSIBLE AUX ENFANTS OU AUX FEMMES ENCEINTES.
Must be used exclusively as material for the purposes of arts, crafts or hobbies, not for use by children. Utiliser uniquement aux fins suivantes comme matériaux pour les besoins d’art, d’artisanat ou passe-temps, pas pour une utilisation par les enfants.

Always protect yourself against the chronic hazards of this and other chemical products by keeping them out of your body. Do this by avoiding ingestion, excessive skin contact, and inhalation of spraying mists, sanding dusts, and vapors from heating.


For a detailed explanation of the terms in the table above, please visit the page.

Notes

Some separation of pigment and oil may occur in Rublev Colours Artist Oils, and it is a natural process when no wax or stabilizers are added to the paint to prevent it.

All color swatches on this website are approximations of the actual color of the oil paint. We have taken every care to match the color in these pictures on calibrated color monitors to the actual color. However, because of the wide variance in color monitors, your results may vary.

Color Swatch Note: The color swatch was created with a thick application of color (left side) and a tint (right side) made with equal parts of color and titanium white, applied to acrylic-primed cotton canvas.

Drawdown Note: The image of the “drawdown” contains a pre-mixed paint film of 6 mil (0.006 inch) thickness applied to a standard test card for the purposes of examining color consistency, opacity, and other qualities. The drawdown shows the color at full strength (mass tone) on the left and a 1:2 mix with titanium white on the right. The bottom area of the drawdown is scraped to show undertones.